DEGEYTER
About
Charles Degeyter is an interdisciplinary artist based in Belgium. Working with traditional and contemporary production methods ranging from engravings, and taxidermy to 3D printing and lasercutting, Degeyter’s work delves into contrasting subjects such as anthropology and popular culture. His work often blurs the boundaries between these two constructs, emphasizing the enduring social relevance of anthropological artefacts and rituals in the present day. With diverse references, ranging from Egyptian sarcophagi and fossil plaques to squeaky toys, his work challenges traditional canonical models of art history.
Degeyter’s ongoing series of engraved stones brings the archaic qualities of fossils and petroglyphs together with the psychology of childhood drawings. Starting with found stones, the surfaces are engraved with naïve drawings, drawn directly from the artist’s childhood. The images depict encounters with locales, animals and family creating a narrative of the artist’s formative moments. The works are often labelled with fake inventory numbers, creating an imaginary archive out of a personal history. As visual facsimiles of millennia-old artefacts, the works bring archaeological distance to childhood memories. In this way the works bring a visual and conceptual weight to otherwise innocent and cute drawings.
Also pivotal in Degeyter’s practice is his taxidermy work with sarcophagi. These works house once cherished pets and memorializes them. The animals are preserved to withstand organic decay. Kept in coffins that represent a cartoonized version of the animals, the work emphasizes the memorable characteristics of the respective animals over factual description. The works juxtapose contrasting visual qualities by encasing organic, morbid elements within an idealized, cute shell. By bringing lost rituals to the present day, these works question our sometimes unsymbolic funerary practices and cultural relationship to mortality.
Ultimately, by bringing anthropological references to present day visual culture, Degeyter creates a unique vocabulary that enables him to create a personal narrative while challenging canonical models of visual representation.
Charles Degeyter is represented by Tatjana Pieters in Ghent (BE).
Exhibitions
Solo
2023
Death Bloom, NADA, Miami (USA)
2022
the Crawling Space, Tatjana Pieters Gallery, Ghent (BE)
Qu’il Pende, Installation at Sint-Baafs Kathedraal, Ghent (BE), Ghent (BE)
2021
Rupahu Island Drawings, Tatjana Pieters, Ghent (BE)
2020
Rupahu Island, Verbeke Foundation, Kemzeke (BE)
2019
Anthropos Metron, No Pop No Up by Jan Hoet jr., Ghent (BE)
Group
2024
Field for Prey, Artbeat, Tbilisi (GE)
16 UP, 38CC, Delft (NE)
Home after Dark, de Uitstalling, Genk (BE)
Wonderkamer van de Waarheid, GUM, Ghent (BE)
Reversed Radicalism, Tatjana Pieters, Ghent (BE)
2023
Ballroom Project, Borgerhub, Antwerp (BE)
De Grote Vogelshow, Pizza Gallery, Antwerp (BE)
Search Party curated by Ben Edmunds, Tatjana Pieters, Ghent (BE)
Going down, Northern-Southern, Austin (US)
2022
Finis Terrae curated by Geukens & Devil, Antwerpen (BE)
Art Antwerp, Antwerp (BE)
New Art Dealers Alliance Fair, Miami (US)
30 onder 30, Kunstenhuis, Harelbeke (BE)
Kunstenfestival LOSS, SABK, Zottegem (BE)
2021
Pass, curated by Kris Martin & Jan Hoet jr., Vlaamse Ardennen (BE)
2020
Investec Capetown Art Fair, Tatjana Pieters Gallery, Capetown (SA)
2019
Turtle Sandbox, Tatjana Pieters Gallery, Ghent (BE)
the Hermit Crab & the Gastropod, Belgium Art & Design, Ghent (BE)
Education
2016
Master Industrial Design, Ugent, Ghent (BE)
Residencies
2020
Rupahu Island, Summer residency, Verbeke Foundation, Kemzeke (BE)